Examples include Curtis-Mayfield-influenced production on OutKast’s debut album “Southerplayalisticcadillacmuzik,” the choruses of songs like “Elevators” from their sophomore LP “ATLiens,” and the unforgettable horns on the deep cut “SpottieOttieDopaliscious” from the 1998 album “Aquemini.” If you grew up listening to OutKast’s first three albums, all released in the ‘90s, there were sonic elements both youth and elders could seemingly appreciate. “What you’re gonna see is the resurgence of older music being circulated in hip-hop, whether it be on the radio, in the clubs or in the concerts.” He thinks the result will be a return to what was made in the past. Hightower believes much of Atlanta’s new rap presents less opportunities for different generations of fans to come together and enjoy the music as they once did. “That whole little gap between 25 and 35 – those folks are dead in jail.” “The future of Atlanta hip-hop is gonna look older than younger,” Hightower said from his office in downtown Atlanta. This includes deceased rappers Bankroll Fresh, Trouble and Takeoff, and jailed rap stars YFN Lucci and Young Thug. In recent years, many distinct leading voices of Atlanta’s newer hip-hop generation are having their careers cut short by death from gun violence or incarceration. This calls attention to the other side of the spectrum. And their fellow Dungeon Family rap representatives Goodie Mob have reemerged after years of dormancy to become one of the most visible Atlanta rap groups outside of Migos. Killer Mike’s mentor Big Boi, who is also 48, continues to tour the world with singer/producer Sleepy Brown by his side. One of the biggest stories of the year has been 48-year-old Atlanta rapper Killer Mike releasing “Michael,” an album critics like media personality Charlamagne Tha God have called his “magnum opus.” The release of “Michael,” for which Killer Mike is openly lobbying to be recognized at the 2024 Grammy Awards, came 20 years after his debut album “Monster.” When it comes to rappers, the only title as important as “best” is “next.” Innovation is a core tenet of hip-hop, and the thirst for a new sound, style and point of view is something that always has to be quenched.īut recently, seasoned older rap artists are finding success and releasing some of the most critically acclaimed music of their careers. ” ‘Return of the G’: Is the future going to look like the past? “And they can’t get a record playing in full rotation on the radio. High” Hightower, referencing two popular hip-hop acts from Atlanta whose careers launched in the last 15 years. “Earthgang and JID are selling out concerts and festivals all over the damn world,” said Atlanta radio personality and podcast host Brian “B.
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